Category Editorial

The Decisive Portrait Moment

Maine Deputy

 

Photography is all about light, of course—the literal meaning of the word in Greek is ‘drawing with light’.  Without light, there can be no photography.

But what makes photography remarkable and powerful is something else. While video and film are all about the story—how all the individual parts contribute to the narrative, the still image is all about moment.

Of the thousands of images you’ve seen or created in your lifetime, what makes the relatively few images stand out as special?

I’d bet it’s that these images capture a fleeting, authentic, remarkable moment. Moments can be a shared interaction between mother and daughter; they can be a simple expression in the eyes or on the lips. A moment can be a gesture, but it can also be a ray of sunlight hitting the perfect spot. It’s a person caught in mid-leap over a puddle, ala Bresson. It’s that peak moment of joy, of anguish, or of maximum exertion during a sporting event.

It can be hard to define in words what a photographic moment is, but you undoubtedly know it when you see it. Moments can be momentous or quiet and subtle. The impact of a true visual moment, however, is immediate and profound. It connects with the viewer and pulls them in.

If you want your images to be remembered, be attuned to what photography great Henri Cartier-Bresson termed the ‘Decisive Moment’. Don’t take photos: capture moments.

 

 

 

 

 

 

 

 

Cancer Today Magazine

If the Covid-19 pandemic has shown us anything, it’s that we are in this together.

We all could use a strong, supportive community that helps when times get tough. Nothing for me epitomizes the power of community to do good like Man Up To Cancer, a cancer support group for men started by my friend Trevor Maxwell.

Man Up To Cancer

Trevor and I have known each other since our newspaper days, but reconnected during the pandemic to work on a couple of creative projects. I’m proud and happy to share the results of our latest collaboration: a current cover feature on Trevor for Cancer Today magazine. You can read the digital version here.

In the article, Trevor talks about surviving stage IV cancer and his decision to reach out to other men who struggle with the disease. Men like him, who need support but find it difficult to reach out to others and ask for the help they need.

His community and podcast is two years old now. Cancer survivors around the country sport hats or shirts with the Man Up To Cancer ‘howling wolf’ logo. Trevor has turned a personally difficult, potentially tragic, situation into something that positively impacts others.

Or, as Trevor puts it: “When life gets hard, we all need our wolfpacks.”

 

 

 

 

Showcase: Mad Patti Hat Co.

Mad Patti Hat Co

A couple of months ago, just as the weather was warming up and widespread vaccinations were becoming the norm, I met and photographed Meg Patti, owner of Mad Patti Hat Company, at her studio in Brunswick, ME for the June issue of Down East Magazine.

Meg is a hat maker, which is kind of like saying Tesla is involved in the transportation business. While true, it doesn’t capture the detailed craftsmanship or the unique, one-of-a-kind hats that Patti hand-makes and ships to clients throughout the United States.

Part of her unique process is to ‘age’ each hat, giving each–as she says–their own stories. Lucky for me, that process involves at one stage the strategic application of fire to burn off the wool peach fuzz and create other effects that, once applied, make each hat a one-off instance of wearable art.

The profile is featured in the June, 2021 edition of Down East Magazine. Watch the video below to hear Patti talk about her creative process.

 

Hatmaker
Hatmaker
Hatmaker

Maine Gives Back, 2020 Edition

Linda Holtslander
Linda Holtslander, 77, Preble Street Resource Center volunteer. ©Brian Fitzgerald

Fundamentally, making a difference starts with doing something that has an impact on someone else. This may entail something huge and world-changing (think of something like Matt Damon’s Water.Org), but more typically it’s a small kindness, a comment, a small gesture extended from one person to another. Small acts of this sort occur all around us, and they usually remain unseen and unknown except by those directly involved.

That’s why I loved being part of Down East Magazine’s annual “Maine Gives Back” feature published this November. I got to meet and photograph three remarkable Mainers whose efforts are changing the lives of others: 77-year-old soup kitchen volunteer Linda Holtsinger, who despite the pandemic never misses a day of volunteering; Rose Barboza, a mother who decided to create the nonprofit website Black Owned Maine as her contribution to racial and social justice; and Elizabeth McLellan, whose Portland-based nonprofit Partners for World Health distributes donations of needed medical supplies around the world.

Truly one of those assignments that energizes me and makes me feel better about humanity in general. Below are some of my images used in the issue, but read about many others in the November 2020 Down East Magazine feature, “Maine Gives Back”.



Elizabeth McLellan
Elizabeth McLellan in a warehouse filled with medical supplies destined for countries in need around the world. © Brian Fitzgerald


Rose Barboza
Rose Barboza, founder of Black Owned Maine. © Brian Fitzgerald

Fighting Cancer with a Warrior Spirit

Trevor Maxwell
Trevor Maxwell, founder of Man Up to Cancer.  Cape Elizabeth, ME.
© Brian Fitzgerald.

Mostly we experience all three in succession—phases, rather than permanent states. That certainly seems to be true of my friend Trevor Maxwell, the founder of Man Up to Cancer, a support network to connect men dealing with the disease.

I’ve known Trevor since we both worked as journalists at the Portland Press Herald, now officially a Long Time Ago. At different points in time and independent of each other we both ended up leaving the paper, and our journalism careers, deciding to strike out on our own—me as a commercial photographer; Trevor as a communications and media consultant.

He discovered, like me, that with age comes inevitable physical changes and health challenges. Unlike me, he was faced with a true monster—a stage IV colon cancer diagnosis in 2018 at the age of 41.

As he related later, the diagnosis hit him hard, with depression so strong on top of the physical sickness that confined him to bed on most days. Eventually, he made a promise to his family that he would get the help he needed to regain his mental and physical health.

Trevor Maxwell
© Brian Fitzgerald

Two years later—and despite the Covid-19 pandemic, no less, Trevor launched Man Up To Cancer, along with a podcast that continues to grow and support men who, like Trevor, once felt isolated and alone in their struggle. The company’s howling wolf logo and tagline, “Open Heart, Warrior Spirit” speaks to Trevor’s approach, somewhat unique among cancer support groups that tend to be softer, more feminine and involve pink ribbons.

Clearly, Trevor has decisively moved into a phase of purposeful action, even as he continues treatment for his own cancer. 

I photographed Trevor this summer near the grand oak tree that has stood on his family’s Cape Elizabeth property for decades (check out the moving, beautiful tribute created by Roger McCord). I’m inspired by seeing how far Trevor has come and how he’s made it his mission to help others using his own unique talents and voice.

In normal times that would be something special. In 2020, it seems downright heroic.

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Read more about Man Up to Cancer or  subscribe to the Man Up to Cancer podcast.

 

Showcase: The Women of the Maine Fisheries & Wildlife

Cartographer
Michele Watkins, GIS Specialist-Cartographer.  © Brian Fitzgerald

 

Beginning in 2019, I worked with the great people at the Maine Department of Inland Fisheries & Wildlife (MDIFW) to create location portraits for an ongoing recruitment campaign. These portraits were to feature the game wardens, biologists, educators, cartographers and others who together protect Maine’s wildlife, habitat and the people who enjoy them.

It’s hard to imagine it would be difficult to find people willing to sign up for a job where their office is the great outdoors, but being part of the MDIFW team also means sacrificing physical comfort—especially on winter days spent outside when the thermometer never breaks north of zero degrees. And as with any job in law enforcement, Maine game wardens must confront difficult and dangerous situations, often in remote places.

I spent some very cold days with a few of the MDIFW team members at several locations around central and southern Maine. It was a blast. My favorite kinds of portraits are those that rely on mood, connection and place to create a real moment and tell a story about a person and a place. I hope in some small way that these images successfully do just that. My hope is to capture a sense of each person’s personality while showing the variety of environments they work in—their ever-changing office—day in and day out, in every season of the year.

 
Maine Game Warden
Sarah Miller, Maine Game Warden.  © Brian Fitzgerald

 

 
wildlife biologist
Sarah Spencer, wildlife biologist.  ©Brian Fitzgerald

 

 
field biologist
Sarah Boyden, biologist.  © Brian Fitzgerald

 

wildlife biologist
Danielle D’Auria, wildlife biologist.  © Brian Fitzgerald

 

Marine Biologist
Liz Thorndike, fisheries biologist. © Brian Fitzgerald

 

Environmental Portraits: Take it Outside

Female Lobsterman
© Brian Fitzgerald
 
 
This June, after several months of working remotely (almost entirely indoors), I’ve been fortunate to be able to get back to creating new images for my clients.   Now that the days are growing warm it’s been the perfect time for my clients to take advantage of the short but beautiful summer season here in Maine by having their commercial portraits done outside. 
 
There are two primary types of portraits I’ve been making.  One is an editorial-style environmental portrait, where the setting is an important storytelling aspect of the final image.   Context is an important part of this type of portrait, since the background ends up being a secondary subject in the image. 
 
The other portrait type is more of a cinematic headshot portrait, where there is an environmental feel but the focus is entirely on the subject–it’s a great way to photograph a doctor, lawyer or financial professional far from their normal work environs and still make it seem professional and natural to do so.  
 
 
 
Businessman outside

© Brian Fitzgerald
 
I’m finding myself taking my studio on the road more and more often, photographing my clients outdoors and on location where conditions may be more changeable and unpredicatable but the results are often more striking.   It brings me back to my roots as an Arizona photojournalist, hauling out my Norman 200B flash heads to compete with the sun to make a memorable portrait.   
 
So consider outdoor portraits as an option that could work for your business or brand.  
 
Businesswoman outside
© Brian Fitzgerald
 
 
 
 
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This is a Time for Heroes

Deputy Sheriff
York County Sheriff’s Deputy Steven Thistlewood.

These are extraordinary times. Extraordinary for many reasons, yet perhaps the most striking is that most of us are being asked to do our best by…doing nothing at all.

At least, it feels that way.

Staying at home. Keeping our physical distance from others. Helping our kids, our loved ones and trying to stay sane ourselves.

Life is not normal for us. We may be staying in one place, but we aren’t exactly doing nothing. We are willing ourselves to not take action so that we can protect others, often at great personal and financial cost.


But what about those who don’t have the choice—whether by necessity or by mandate—to stay home?


I’m referring of course to many of the people who I’ve spent a career photographing:  the police, the firefighters, the paramedics, and the medical professionals.  But this group also includes the sanitation workers, the grocery store workers, the pharmacists, the pizza guy and the mail carrier. All are front-line workers in this time of fear and contraction.


So take a moment and reflect on the sacrifice so many are making while many of us stay home.  We all must do our part.

emergency drill
Maine Medical Center staff during a biohazard drill–part of the extensive preparations they’ve undertaken to prepare for the current Covid-19 pandemic.

On Giving More

A little initiative and a lot of hustle turned a project to photograph firefighters for a fund raiser into a project depicting firefighters as always on duty and (over) committed to their work, called “Everyday Heroes”.

I grew up Catholic, which might explain why I have a deep-seated belief that anything good in my life must be accompanied by a healthy amount of suffering.

That’s not the healthiest story to tell oneself,  but I’ve come to replace it with  another, more powerful story:  if you want good value or results—a great shoot, great assignments, great clients—then you have to first give great value.

What does ‘value’ mean? It means that you should do your best to be remarkable in your work, your attitude, your professionalism. It means that you ask first how you can help before you ask for help. It means that you give more value than your client expects. It means that when you are on a shoot, you go that extra mile: look for an extra angle, take a creative risk and push yourself to take something different once you’ve satisfied your client’s needs. Sometimes you’ll end up with something that surprises you and delights your client.

If you consistently do this and have the attitude of giving more than you are getting, you’ll find—like I have—that you get an amazing amount of value in return.

It starts with you.



Arrested: Stories Behind the Badge

Maine Cops
Pete Herring, District Game Warden with the Maine Department of Inland Fisheries & Wildlife, photographed at Lake Arrowhead in Southern Maine.  Herring retrieved the drowned body of 15-year-old Jaden Dremsa in the lake after a nine-day search.  “It takes you out of the uniform of a game warden and into the clothes of a parent,” he said of the case. “The search united the community. It touched the whole community. Being able to watch the family process it, it helped me to process things too.”  Herring spent 18 years in the Maine Department of Corrections as a prison guard and an investigator before becoming a game warden in 2009.

I didn’t initially set out to photograph Maine cops.

As a newspaper photojournalist I spent years covering fatal car accidents, fires and the occasional armed standoff. My interactions with police were polite, professional and purely transactional. It’s fair to say that we viewed each other with a healthy wariness that at times seemed adversarial. My job as I saw it, on the behalf of the public’s right to know, was to make the images that would best tell the story. As far as I could tell at the time, a cop’s job was to thwart my ability to easily do so. To be fair, I imagine that to them I was a pain in the ass at best, an annoying gnat with a press pass. A problem that sometimes made their jobs a lot harder.

We coexisted, at times uneasily. I certainly encountered many officers who treated me fairly. They taught me a lot about professionalism and coolness under pressure. I realized: It takes a certain kind of person to put on a badge, strap a gun to their hip and patrol dark streets. Cops are like you and me, but they aren’t. They belong to a unique tribe of men and women that is often closed to outsiders. Whether seen as heros or opressors the reality is that a badge carries more weight than the metal it’s made of.

Maine Cops
“I had two goals at that point: I wanted to try to help this woman get out of this life and I wanted to find the guy that did this to her. I just thought to myself, this is supposed to be a peaceful place and it’s so isolated, dark, and pitch-black down here. She must have been scared to death.”
Detective Sgt. Steve Webster (ret.), a 30-year veteran of the South Portland police department, discussing an incident where a female prostitute was beaten by her john and left for dead among the gravestones at South Portland’s Forest City Cemetery.

Back in 2004, I was embedded with Army Reserve’s 737th Transportation Company in the Middle East. I found the soliders, wary of my presence at first, relaxed once they got to know me. The stories I wrote were less about what they did and why they did it—why they had made the choice to serve thousands of miles from home, to say goodbye to their families for months or years at a time. I enjoyed getting to know the people they were and no matter my personal thoughts on the war it changed my perspective on soliders—and by extension, cops—forever.

Years later, living in Maine, I met and photographed South Portland Detective Sgt. Steve Webster (now retired) for a book he’d written about a case involving a little girl who he’d promised to find justice for (he did). He handed me a signed copy of his book and I read it. Somewhere in the back of my mind, the idea of making portraits of officers at the exact locations where they had experienced life-changing, career-changing incidents was born.

I met with Webster and the idea gelled further. He encouraged me to expand the idea—to photograph officers from various types of agencies across the geographic span of the state.

“The biggest problem you’ll have,” he said, “is that cops don’t like to talk.” That was an understatement. He agreed to introduce me to Pete Herring, a Maine Warden. Pete introduced me to York County Deputy Steven Thistlewood. And one opened the door for another, as slowly I met and photographed officers from Acton to Ashland.

It remains an incomplete project. There are 146 law enforcement agencies in Maine, employing more than 2500 police officers, according to the US Bureau of Justice Statistics’ 2008 Census of State and Local Law Enforcement Agencies.

I’ve photographed less than a dozen.

I’ve had conversations with them about events that happened months or in many cases years before, but it might have been yesterday. The trauma is still fresh, the wound still raw: moments where time is measured in milliseconds and layered with sound, color and smell. Winslow Chief Shawn O’Leary recalls the moment he fired at a man threatening him with a knife, the slide of his weapon ejecting spent casings and smoke as if in super slow motion; the billowing puffs of the man’s shirt as the rounds impacted. One. Two. Three.

Maine Cops
Shawn O’Leary, Chief of Police for Winslow, Maine. O’Leary started his career as a patrol officer in Brunswick, Maine and eventually retired as a lieutenant. He later worked as a captain for the Cumberland County Sheriff’s Department before becoming Winslow’s police chief in 2014.
In 1997, O’Leary shot and killed a man who attacked him with a knife. Later he was sued by the man’s family.
“I felt that the experience made me grow even though it was really hard. I think the toughest things that you go through in life make you stronger, and I’m a fighter. I hit some deep low places for some years with my career and with my wife and my kids. But I (wasn’t) going to let the bastard win. I think I also owed it to everybody that was still [in the police department] because in the event that it happened again, I’d be there.”
I chose to photograph them in the same locations where the painful or meaningful events happened to them—either the same spot or as close to them as possible. Forest Ranger Bill Greaves stands on the gravelly outline where the trailer once stood that housed the man who shot him and a deputy in 1989. Marine Patrol Corrie Roberts sways on the deck of her bobbing patrol boat, the Protector, yards from the spot where she leapt onto the deck of a runway lobster boat whose owner had died of a heart attack at the helm.

Sgt. Steven Thistlewood wipes tears from his eyes on the spot where 12 years earlier—almost to the day—he and his partner shot and killed a man who was trying his best to end their lives. It’s the first time he’s revisited the site.

Maine Warden Pete Herring braces himself in a blowing snowstorm on the shores of Lake Arrowhead, where months earlier he had recovered the body of a drowned teenager.

All of these men and women have incredible stories, each tied indelibly to the places in Maine where they happened. Each story, and each officer is as unique and varied as the geography of this state.

It’s my hope that seeing the stories and viewing the images will give a better connection to, and understanding of, the men and women who put their bodies and lives on the line for the public good.

Cops are people, which means there are good ones and bad ones. Lucky and unlucky ones. But read the stories and look at the portraits and ask yourself: if you wore that badge and were in their shoes, what would you have done?

To see the images, please click here.

Maine Cops
“That’s the thing about law enforcement officers. We file things. I have seen, smelled and touched so many things that people could never imagine. We just file it. We deal with it. At some point it starts to eat at you.” ⠀ ⠀ Sgt. Steven Thistlewood has spent 18 years with the York County Sheriff’s Department. He found himself reflecting on an incident in 2003 when he was forced to use deadly force on a mentally-ill man attacking him with a gun. “I grew up wanting to be a flight paramedic. That was what I was going to do. You know—save lives—and here I (was) taking a life.” ⠀ ⠀ Part of a photo project on Maine law officers and the hazards they encounter on duty.