Bring Your Vision: Hammond Lumber

 

Lumberman

I’m happy to share some of the work I’ve been doing over the past year for the Hammond Lumber Company, based in Belgrade, Maine. This is a sprawling, Maine-wide sawmill and lumber operation involving three generations of the Hammond family.

It’s a busy, hardworking, growing Maine company with a great reputation and deep relationships. That served them well during the pandemic especially, when rising demand, supply chain challenges and other restraints kept them on their toes.

The project encompassed lifestyle photography shoots at multiple locations across the state as well as a short video piece (not yet published) that showcase Hammond’s connection to the state and its customers. Their customer-centric theme of “Bring Your Vision” was a theme through all of the shoots.

 

 

Lumber Man

 

Maine Construction Workers

Cancer Today Magazine

If the Covid-19 pandemic has shown us anything, it’s that we are in this together.

We all could use a strong, supportive community that helps when times get tough. Nothing for me epitomizes the power of community to do good like Man Up To Cancer, a cancer support group for men started by my friend Trevor Maxwell.

Man Up To Cancer

Trevor and I have known each other since our newspaper days, but reconnected during the pandemic to work on a couple of creative projects. I’m proud and happy to share the results of our latest collaboration: a current cover feature on Trevor for Cancer Today magazine. You can read the digital version here.

In the article, Trevor talks about surviving stage IV cancer and his decision to reach out to other men who struggle with the disease. Men like him, who need support but find it difficult to reach out to others and ask for the help they need.

His community and podcast is two years old now. Cancer survivors around the country sport hats or shirts with the Man Up To Cancer ‘howling wolf’ logo. Trevor has turned a personally difficult, potentially tragic, situation into something that positively impacts others.

Or, as Trevor puts it: “When life gets hard, we all need our wolfpacks.”

 

 

 

 

Want Headshots and Portraits for your Brand? Consider This.

Headshot treatment for Ecommerce marketing agency iBec Creative: bringing personality to the standard head-and-shoulder portrait.

 

You’ve long suspected that your company’s staff portraits are in need of updating (Ted’s skinny tie has gone in and out of fashion since his portrait was taken. Twice).   Your biggest competitors on LinkedIn, have amazing portraits (is that a tiger in the backround?) and between the shame and the frustration, you’re determined to hire a photographer, now.

Hold on just a second.

If you’ve waited this long, it’s worth pausing a moment to reflect.  ‘Everyone else is doing it’ is not a good enough reason.  A well-done portrait is an investment in time and money. Chances are you’ll be using those portraits for years (or until Ted’s tie goes in and out of style one more time).  So it’s worth considering what your goals are.

When to get new headshots

The single most important question to ask when contemplating a new headshot project is, simply, ‘are my current portraits working for me?’ Your brand portraits aren’t just a nice-to-have. As a business tool you should expect them to do some heavy lifting representing your brand to potential clients, around the clock.  Your portrait, in effect, should work harder than you do.   If your existing portraits are obviously outdated, are wildly inconsistent, or just have a style that doesn’t fit your brand (cool ‘tech’ style portraits wouldn’t inspire confidence if used for the staff of a venerable investment bank, but they may be a good fit for an online banking startup that offers services exclusively through mobile apps) then your portraits are actually working against you.

Branding Portraits

What makes a ‘good’ headshot

Your company portraits must be consistent in style and professionally executed in terms of lighting, of course. They also need to be purposefully thought out so that they reflect your industry and your brand in particular.

A professional photographer can help come up with appropriate and creative looks for your brand.

It’s true, a great portrait can help your brand communicate the message you want to your audience.  But poorly-done and poorly-conceived portraits will absolutely hurt your brand.

What makes your headshots successful

Beyond hiring a professional photographer you ‘click’ with and who understands your brand,   you need to have buy-in within your company.   Everyone needs to be on board.  Don’t attempt a headshot redo unless you can count on everyone to participate.  Give yourself adequate time to do the portraits right—a two-minute assembly line approach will result in headshots, but they won’t be anything special.  Set the tone that these portraits are a critically important component of your company’s image that you are invested in doing right.  For many employees, having their portraits taken is a challenging or even downright scary proposition. Communicating why youre have them done, and giving them plenty of time to prepare, tells them that you care about their experience and want the best results.

Formal headshot vs. Environmental portraits

Formal headshots—i.e., a more typical head-and-shoulders portrait with a backdrop—is a traditional approach that still has its place.  They are especially useful on platforms like LinkedIn, where seeing the person’s face (and not getting distracted by a background) can make them stand out.

Environmental portraits are those that are typically done in a way as to show elements of an office or other location in the background as a way of conveying contextual information or a certain mood. They may appear more visually interesting and can look less ‘formal’ and thus more approachable than a more formal headshot portrait.

Your photographer should work with you to suggest the best approach for your brand. Sometimes my clients will opt for both, so they have options that may work best for different uses.

In the end, portraits are a necessary part of doing business in an internet-connected world. Approach them as an opportunity to extend your brand and send a consistent message, and you’ll find the investment is a solid one.

 

 

Showcase: Rwanda Bean Coffee Company

Rwanda Bean Coffee

I’m happy to share an image I took for the cover of Down East Magazine‘s August 2021 Food & Drink section.  This was part of a feature on Maine’s Rwanda Bean Company, which operates three locations including the newest on Portland’s Thompson’s Point.    

I was envisioning rich dark coffee beans softly lit with warm early morning window light. Unfortunately, my assignment was scheduled just after noon on a gloomy, cloudy day.  The only way I could get the image that I most wanted was to create an early-morning sun look, using lights placed outside the shop, shining through the windows with warming gels attached.  You’d never know that it was threatening to rain outside.   Sometimes as a photographer, you need a little morning to go with your coffee.

 

Ben and Danielle Graffius at the newly-opened Rwanda Bean Roastery and Espresso Bar at Thompson’s Point in Portland, ME. The two are business partners with founder Mike Mwendata.

Showcase: Mad Patti Hat Co.

Mad Patti Hat Co

A couple of months ago, just as the weather was warming up and widespread vaccinations were becoming the norm, I met and photographed Meg Patti, owner of Mad Patti Hat Company, at her studio in Brunswick, ME for the June issue of Down East Magazine.

Meg is a hat maker, which is kind of like saying Tesla is involved in the transportation business. While true, it doesn’t capture the detailed craftsmanship or the unique, one-of-a-kind hats that Patti hand-makes and ships to clients throughout the United States.

Part of her unique process is to ‘age’ each hat, giving each–as she says–their own stories. Lucky for me, that process involves at one stage the strategic application of fire to burn off the wool peach fuzz and create other effects that, once applied, make each hat a one-off instance of wearable art.

The profile is featured in the June, 2021 edition of Down East Magazine. Watch the video below to hear Patti talk about her creative process.

 

Hatmaker
Hatmaker
Hatmaker

Fitzgerald Photo: new look, new work

female lobsterman

I’m proud and excited to relaunch the Fitzgerald Photo website with a brand-new look and lots of new work, including commercial video production.


Primarily, I’m a portrait photographer who is known for producing impactful work on location. With my photojournalism background I consider more of a storyteller—whether conveyed through environmental portraiture or in the form of a multiple-image photo essay.


On the website I’m introducing video work for the first time. I decided to add motion because of the unique storytelling aspects that motion imparts to my work. The still image is incredibly powerful, but sometimes stories are best told in sequences with motion and audio. It’s yet another set of tools that can help me to tell more impactful, powerful stories for my clients.  


Stay tuned for more motion projects, and new work from Fitzgerald Photo.

Not sure how to incorporate video into your content marketing? Contact Fitzgerald Photo. We can help!

Showcase: ReEnergy biomass energy producer

Last fall, I spent a few days photographing several biomass facilities for ReEnergy Holdings, an energy producer based in New York.  I’ve worked with ReEnergy for several years to create a library of images for use in their ongoing marketing efforts. The idea was to photograph their facilities and the work being done there in a way that captured the mood, atmosphere and scale of their various locations throughout New England.  I love being able to show the gritty details of hard work through commercial and industrial photography. My approach is to keep things as authentic and real as possible while adding light in a believable way, in order to augment and help tell the story.  As with all such work, time is always at a premium and the ability to be efficient and focused is absolutely critical.  

biomass worker

Power Generator

power worker

Energy worker

biomass

Energy Worker

Energy worker

Maine Gives Back, 2020 Edition

Linda Holtslander
Linda Holtslander, 77, Preble Street Resource Center volunteer. ©Brian Fitzgerald

Fundamentally, making a difference starts with doing something that has an impact on someone else. This may entail something huge and world-changing (think of something like Matt Damon’s Water.Org), but more typically it’s a small kindness, a comment, a small gesture extended from one person to another. Small acts of this sort occur all around us, and they usually remain unseen and unknown except by those directly involved.

That’s why I loved being part of Down East Magazine’s annual “Maine Gives Back” feature published this November. I got to meet and photograph three remarkable Mainers whose efforts are changing the lives of others: 77-year-old soup kitchen volunteer Linda Holtsinger, who despite the pandemic never misses a day of volunteering; Rose Barboza, a mother who decided to create the nonprofit website Black Owned Maine as her contribution to racial and social justice; and Elizabeth McLellan, whose Portland-based nonprofit Partners for World Health distributes donations of needed medical supplies around the world.

Truly one of those assignments that energizes me and makes me feel better about humanity in general. Below are some of my images used in the issue, but read about many others in the November 2020 Down East Magazine feature, “Maine Gives Back”.



Elizabeth McLellan
Elizabeth McLellan in a warehouse filled with medical supplies destined for countries in need around the world. © Brian Fitzgerald


Rose Barboza
Rose Barboza, founder of Black Owned Maine. © Brian Fitzgerald

Fighting Cancer with a Warrior Spirit

Trevor Maxwell
Trevor Maxwell, founder of Man Up to Cancer.  Cape Elizabeth, ME.
© Brian Fitzgerald.

Mostly we experience all three in succession—phases, rather than permanent states. That certainly seems to be true of my friend Trevor Maxwell, the founder of Man Up to Cancer, a support network to connect men dealing with the disease.

I’ve known Trevor since we both worked as journalists at the Portland Press Herald, now officially a Long Time Ago. At different points in time and independent of each other we both ended up leaving the paper, and our journalism careers, deciding to strike out on our own—me as a commercial photographer; Trevor as a communications and media consultant.

He discovered, like me, that with age comes inevitable physical changes and health challenges. Unlike me, he was faced with a true monster—a stage IV colon cancer diagnosis in 2018 at the age of 41.

As he related later, the diagnosis hit him hard, with depression so strong on top of the physical sickness that confined him to bed on most days. Eventually, he made a promise to his family that he would get the help he needed to regain his mental and physical health.

Trevor Maxwell
© Brian Fitzgerald

Two years later—and despite the Covid-19 pandemic, no less, Trevor launched Man Up To Cancer, along with a podcast that continues to grow and support men who, like Trevor, once felt isolated and alone in their struggle. The company’s howling wolf logo and tagline, “Open Heart, Warrior Spirit” speaks to Trevor’s approach, somewhat unique among cancer support groups that tend to be softer, more feminine and involve pink ribbons.

Clearly, Trevor has decisively moved into a phase of purposeful action, even as he continues treatment for his own cancer. 

I photographed Trevor this summer near the grand oak tree that has stood on his family’s Cape Elizabeth property for decades (check out the moving, beautiful tribute created by Roger McCord). I’m inspired by seeing how far Trevor has come and how he’s made it his mission to help others using his own unique talents and voice.

In normal times that would be something special. In 2020, it seems downright heroic.

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Read more about Man Up to Cancer or  subscribe to the Man Up to Cancer podcast.