Posts tagged Storytelling

Baring Scars: Portraits of Strength

Isaac Marston, Testicular Cancer survivor. © Brian Fitzgerald, Baring Scars Project

 

The last thing I wanted was to be seen.

Not for something like this, completely out of my control. 

Many people get cancer—an estimated 2 million in the U.S. alone 2024—but every story is unique. 

My own cancer came in late 2015.  A routine scan for a kidney stone led to surgery, and suddenly, I was missing part of my right kidney. A rare cancer, they told me.  No apparent cause, no warning.

Then, it was over—the surgery, at least—but not the worry, the scans, or the realization just how fragile life is.

I minimized it and took to calling it “cancer with a little ‘c'”.  But it definitely changed me and still does.

There’s a moment when we all have to face our mortality and that was mine.  My wife went back to school to retrain for a job, in part to support us in case I had a recurrence. 

I dealt with it by throwing myself into work and filling my life with trivialities and busy work.  

But every time I looked in the mirror and saw the scars—or felt the phantom itchiness as my scars continued to fade—I was reminded: it could have ended up so differently.

In 2020, I saw Trevor Maxwell’s name come across my feed. Trevor and I had worked together briefly at the Portland Press Herald. He was younger than me, a dad with two girls, a husband. And now he had stage IV Colon cancer.

I regret that I didn’t contact him right then.  What do you say to someone fighting for their life?   Months later, I saw that he was starting a podcast—Man Up to Cancer. A space for men facing cancer to connect.  A brotherhood.

So I reached out. We talked about his fight—not just one battle, but many. I photographed him under the ancient oak tree on his family property he called his shield.   Trevor mentioned his scars then. Not as things to hide, but to celebrate.

That’s when Baring Scars was born.

The idea: Photograph 50 men with cancer. Let them tell their stories. Show their scars—not just the physical ones, but the strength, uncertainty, and resilience they carry.  Isaac Marston, whose photo is above, was the first person I photographed (read more about Isaac’s story here).  

Men have worse cancer outcomes than women. Not just because of biology, but because of how we deal with illness. We tend to ignore pain. To delay seeking help. When diagnosed, we isolate.

Baring Scars challenges that. It’s about connection. A visual statement: You are not alone.

At first, I wasn’t sure men would step forward. But they did, over and over.  They told me this was self-empowering.  That they wanted other men to see what survival looks like.  That they wanted to inspire others to keep going.

This project is for them. For the men fighting cancer right now and for their loved ones.  For the organizations working to change outcomes.  For the men who think they are alone.

If it encourages even one man to seek help, to get screened, to reach out—it will have been worth it.

 

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Capturing Spontaneity: Photographing First Lady Jill Biden’s Visit

 

Jill Biden
© Brian Fitzgerald

 

As a longtime newspaper photojournalist, I’ve covered my fair share of visiting dignitaries, from President George Bush (’44) to U.S. Senators and others. But, as I learned the hard way on assignment for the Arizona State University school paper, the State Press, showing up late means the Secret Service won’t let you in, even if you ask really nicely.

So, when I was recently assigned to cover First Lady Jill Biden’s brief visit to Southern Maine Community College for the Maine Community College System, I made sure to arrive early. These events are highly scripted, with an advance team marking out where the media will stand, cordoned off well away from the First Lady. Each photo opportunity has been planned, with impactful visuals virtually guaranteed — as long as you show up on time — from the positions of the people to the carefully-placed American flags.

But, just because the stage is set doesn’t mean there isn’t room for spontaneity. As a photographer, my job was to capture the story and mood of the event, even within the constraints in place. I positioned myself strategically, changed compositions, and varied my lens choice to anticipate and capture those unscripted moments.

The result was a set of images that told a genuine story, full of spontaneous moments that spoke to the human emotions and connections present at the event. As a former newspaper photographer, I’m grateful for the laboratory that experience provided me that still allows me to capture moments even in highly-controlled settings.

© Brian Fitzgerald
© Brian Fitzgerald
© Brian Fitzgerald
© Brian Fitzgerald

 

Fitzgerald Photo: new look, new work

female lobsterman

I’m proud and excited to relaunch the Fitzgerald Photo website with a brand-new look and lots of new work, including commercial video production.


Primarily, I’m a portrait photographer who is known for producing impactful work on location. With my photojournalism background I consider more of a storyteller—whether conveyed through environmental portraiture or in the form of a multiple-image photo essay.


On the website I’m introducing video work for the first time. I decided to add motion because of the unique storytelling aspects that motion imparts to my work. The still image is incredibly powerful, but sometimes stories are best told in sequences with motion and audio. It’s yet another set of tools that can help me to tell more impactful, powerful stories for my clients.  


Stay tuned for more motion projects, and new work from Fitzgerald Photo.

Not sure how to incorporate video into your content marketing? Contact Fitzgerald Photo. We can help!

Stories Matter Now More than Ever


This is a time of uncertainty, pain and upheaval. It’s a time of distrust and disinformation on a massive scale, enabled by the easy and instant distribution of social media.

It’s also a time of amazing, heartbreaking and heroic stories.

Last week I got a letter from my friend Eric. He’s a Navy nurse stationed in Spain, one of the areas in Europe hardest-hit by the Coronavirus. He described long hours, uncertainty and even gratitude that he and his family are healthy even while he’s on the front lines of the fight against this disease.

I thanked him for sharing his story with me and wished others could hear it too.

My neice is an ICU nurse in Washington, D.C. I have friends and other family members who are in healthcare. Some of them have also had to deal directly with Covid-19 in their own homes.

We hear these stories, usually second- and third-hand, but more people should hear and see them.

Another friend, Scott, a Chinese medicine practitioner and acupuncturist in Washington State (another Covid hotspot) is dealing with the issue as well.  His staff  voted to remain open to help patients with critical needs during the pandemic, though most clinics have closed, and he’s using savings to keep his staff on payroll. 

Many can relate to these stories, directly or indirectly. But what we can’t do—what we aren’t seeing enough, I think—are the stories of the lives of people on the front lines of this pandemic, both patients and healthcare workers. For safety, logistic and privacy reasons, it’s hard to do. Not impossible, but complicated.

Yet, it’s what we need to be seeing more of. Doctors and patients are behind the curtain—-and we can’t see the battles they encounter nor the significant successes, either. The same is true with other front-line workers, from police officers to rescue personnel to postal workers.

Seeing the real impact on the lives of these people would help everyone to see the costs of the pandemic. We’d see that we all are in this together.

Months from now, when we look back on this time, I hope we have documented these stories. They will remind us of our capacity for solving big problems, and ultimately healing, together.

 

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