Posts tagged maine commercial photographer

A Look Back, A Look Forward

Maine Cops
Image from Arrested: Stories Behind the Badge, published in 2018

It’s a sure bet you’ve been in this situation:

You’re going to work (doing great work, hopefully), meeting deadlines, producing stuff, maintaining systems and even getting your blog done on time.  You’re in the flow, which is good because things are happening, fast.

Then the new year approaches, and things slow down for the holidays. You emerge from your work coma, blinking like a cave fish suddenly exposed to sunlight, wondering what happened to the last 12 months and what year is it, anyway?

That’s what it’s like, being a solo creative professional.  You juggle a lot, and don’t always have time to stop and reflect.

That’s why I look forward to the small end-of-year break that allows me time to go back through the year that’s passed and to celebrate the wins and the misses (because it’s the misses that teach you to get better).

So, here is 2018,  by the numbers:

1 (small) oil tanker’s worth of coffee
4 photo assistants
5 stylists
5 states and all 16 of Maine’s counties
310 studio portraits
94 location assignments
2 broken strobe units
25 pounds, lost (and not rediscovered!)
1 book published:  Light Matters: A Photographer’s Guide to Lighting with Flash on Location
47 books read
1 personal project— Arrested: Stories Behind the Badge
321 days of meditation

Just reading that list makes me tired…but mostly it just makes me grateful.

More than the numbers, here are some lessons I learned, in no particular order:

  • Always use a packing list to prepare for location shoots, lest you forget a $1 battery that forces a scramble during a shoot.
  • Reusable cups from Starbucks are totally worth it.
  • Having a well-planned morning routine is the difference between a great day and a totally unproductive one.
  • There is such a thing as being too busy to accomplish anything of real value.
  • It’s never a good idea to leave your flash on top of your car when you pack for a shoot.
  • Better to focus on what you can control, not what you can’t.
  • I can live without bagels, bread and pasta.  Coffee?  Not so much.

Looking back, 2018 was a year of growth and learning and I’m grateful and proud to have had some incredible opportunities alongside some really cool creative partners and clients. It’s gratifying to go through the work I did last year just to see where my cameras have been and reconnect with the interesting people I get to photograph.

I look forward to sharing much of that work on this blog soon.   As fun as last year was, though, I have some big plans already in motion for this year and some exciting projects to share.

I don’t know about you, but I’m ready to get to work.

Everything I Know I Learned From ASMP (and Spiderman)

asmp

This week I was honored to have my work and an interview published by the ASMP (American Society of Media Photographers) on their blog, Strictly Business.

I’ve been a member of the ASMP since 2007. That was a big year of transition for me, as I built my commercial and editorial business in a part of the country in which I was a relative newcomer. I had decided to quit my job as Assistant Managing Editor at the Portland Press Herald/Maine Sunday Telegram, ending a 13-year career in newspapers. One month later, I did just that.  I had been a freelancer, a “stringer”, a staff photojournalist, a chief photographer and photo editor. I’d covered stories in places as varied as Hong Kong, Russia and Sedona, Arizona. I’d been embedded with troops in Iraq. I’d won lots of national and regional awards.

It was a complete and total blast.

Then, it was over.

Ultimately,  I left newspapers because I wanted to photograph and create content again.  I felt that doing so as an independent professional would give me greater flexibility, control and creative freedom to tell the types of visual stories that I wanted to tell.

Of course, with greater freedom comes greater responsibility, or so says Spider-Man.

As I contemplated building my new career, I knew I’d need help. Help to understand how businesses talk and what they need. Help to navigate the contracts and licensing that would keep me in business and my clients protected and happy. After a career in newspaper photojournalism, I knew two things about business: jack and squat. While I still have much to learn, I have a successful business working with brands I love–and it’s due in no small part to the tutelage and assistance of the ASMP and the help of many talented photographers.

Behind the Curtain with Maine Freemasons

Maine Freemasons

Having a camera is like having a Golden Ticket into the lives of others. It’s opened doors on people, experiences and places that otherwise I’d have never met, done or seen.

It’s an honor to be allowed into peoples’ lives, and it’s a trust that I hold very sacred. That’s why I was so excited that my camera recently opened another door: one that led to the Freemasons of Maine. I was chosen to produce an initial set of images for a website redesign the Grand Lodge of Maine has been planning for some time.

I should note that my sum of knowledge of fraternal organizations stems from brief visits to my father’s Elk Lodge as a kid and a long-ago viewing of the movie National Treasure.  I’m pretty sure neither qualify as research.   I was eager to meet real Masons and photograph some of the actual ceremonies in Portland’s gorgeous Masonic Temple.

Freemasonry has a long and storied history in Maine, with roots going back to the first lodge, chartered in Falmouth in 1762. Portland’s Triangle Lodge 1 still has their original charter, signed by Paul Revere in 1796 (yes, that Paul Revere).

The Masons still attract men—young and old—drawn by the many traditions and looking for camaraderie, connection and brotherhood.

You might not have suspected as much, looking at the Maine Masons website, which was in need of a redesign and new visuals. Most images they had showed members in tuxedos, wearing Masonic aprons in a formal lodge setting.  Although I did photograph some of these same things, one important part of the project I’ve done so far with them is a portrait series of Masons in Maine, both in and outside of the lodge setting.  Work is ongoing, but I’ve had a great time so far meeting with the members and learning about the organization–a peek behind the velvet curtain, so to speak.

What I found was a thriving group of individuals of all ages who are devoted to each other and to their community.  I plan to be able to add additional images soon.

Maine Freemasons

 

Maine Freemasons

 

 

Maine Freemasons

A Portrait Of Martin’s Point Healthcare

healthcare

I can’t think of any other industry that touches everyone’s lives at one point or another like the healthcare industry does.

Not surprising that one of the constant themes of my work over the years has been photographing doctors, nurses and first responders. As a journalist I covered endless procedures, including open-skull brain surgery, in-home hospice and spent nights at hospitals and with paramedic crews.

Now I work for agencies and healthcare providers directly, creating imagery that increasingly focuses on patients and on desired outcomes (instead of showing doctors, show the healthy lives enabled by quality healthcare). It’s a fun challenge. That’s why I was excited to take on a more editorial-style project about Martin’s Point, a Maine based care center located right on Casco Bay.

Instead of focusing on patients, I would focus on the “story” of Martin’s Point–a series of images that speaks to the experience of being there, the environment and the mood of the main clinic. I did photograph some procedures and patient care, but my focus was on the feel of the place, on the caring interactions of providers and even behind-the-scenes images of places where patients don’t normally go. A multi-faceted portrait of healthcare in Maine.

The project was a step back to my editorial roots and a lot of fun. Please check out the complete story on my site to see all of the images.