Posts tagged headshots

Cinematic, environmental portraits

I love creating environmental portraits.  That’s good, because I make an awful lot of these as a commercial photographer.

One challenge when doing such location portraits is that the benefit—the environment, which can offer very cool, very visually striking contextual cues—can also be a severe liability.  Imagine showing up to a shoot to find you are limited to shooting portraits inside a tiny conference room with orange walls, or in the middle of summer using an interior of a steel shipping container (both are recent examples).

So what do you do when the environment detracts from,  instead of adds to, your portraits?

I opt to shoot portraits with very shallow depth of field, in order to throw my distracting backgrounds out of focus.  Then I carefully add in lights to create depth and color as needed. Given the time of day or the situation, this may require using ND (neutral density) filters or high-speed sync to achieve this look, but it’s worth the extra effort.

The results are tack-sharp portraits that pop from the soft background, minimizing the things I don’t want while giving a sort of cinematic feel that I love.

 

 

 

 

Turbo-charge your marketing, one mug shot at a time

mug shot

“Make sure you get the mug shot,” I heard my photo editor say as I carefully packed my camera bag, preparing for my first official assignment as an intern with the (now much-diminished)  East Valley Tribune in Mesa, AZ. I was a student at nearby Arizona State University, where I was also photo editor of the student-run State Press.

I’d heard the term ‘mug’ before–it was how we referred to the 6 x 9 pica-sized tightly-cropped headshots often run in newspapers and commonly associated with the mug shots of suspects taken and distributed by law enforcement.

There was nothing glamorous, sexy or artistic about them. They were straight-forward and not what I had in my mind as I contemplated all of the possibilities of the now-forgotten assignment I was about to shoot.

But Paul, my photo editor, knew better. A cool, wide-angle portrait that showed a person tiny in the frame, looking off-camera in an angsty way, surrounded by the light and shadows of the environment might play well across three or four columns as a lead image on a page. But if that story jumped to a new page, as it often did, or if we later decided to run additional follow up stories on the same subject, that cool artistic image would be much less valuable. More useful in those instances was a standard, straight-on headshot portrait, or mug shot. I quickly learned that if I took those headshots along with the artistic pretty portraits, I could guarantee a happy photo editor and happy page designers too. Fail to do it, and I found that as the intern I was the one sent back to shoot a 10-second mug shot of a subject because other photographers (or I) had failed to do so the first time around.

 

mug shot

 

Of the many lessons I learned as a photo intern, this was one I never forgot. It made me think about the practical uses of images, rather than just the artistic merits. Both are important considerations. It also taught me that people have a fundamental desire to see and connect with other people, and that having a mug or a headshot in a story made people much more likely to read it, connect with it and understand it.

That was true then, and it continues to be true in the world of Linkedin, Facebook and online media channels. Rather than a two-second mugshot, I create headshot portraits that take quite a bit more time and care. These headshots are unsung heros that are both simple and indispensible for many professionals. They are the yeoman workers who do the heavy lifting when it comes to a personal or corporate brand. When done well, they promote and propel a brand, build trust and connection, all without shouting, ‘look at me’.

mug shot

I used to say that a good headshot can’t help you, but a bad one can sure hurt you. In this visual, social media world, when I see a professional profile with a missing or obviously amateur portrait, my mind wonders: is it because you aren’t professional, are anti-social or simply because you can’t be bothered? None are an appealing scenario.

A good headshot is a long way from the ‘mugs’ we used at the newspaper. They are portraits, created with purpose, intent and function in mind. They convey real information and some intangible emotion as well. In short, they leave a few things unsaid so that the viewer can form their own opinion. They are straight-forward, and they communicate, clearly. Instead of being used in a purely utilitarian way, they must shine in their own right. No longer mugs, but finely-crafted portraits.

 

mug shot

 

I have a sister site called Maine Headshot, dedicated solely to these kinds of portraits, mostly taken in-studio. My tagline is, “Portraits that Work”, because a good headshot should do just that–work for a brand 24/7, 365.

 

What a candidate can teach us about brand

Everyone who relies on Facebook and other social media sites to market their brand and news needs to keep things fresh. That’s why I enjoy working with the McGowan for Maine campaign. I did some work with them in December and got some portraits of an active-looking Pat McGowan at his Hallowell home. Back then, the entire campaign could fit around his kitchen table. Things have changed, and he’s worked hard to get to the point he is at now. Trouble is, a portrait showing a foot of snow doesn’t fly when the thermometer is knocking on 90 degrees. So, we got a whole new round of portraits and other images for the campaign that’ll work well for them for a long time to come. It’s been great working with McGowan…but how does he get the energy?

Pat McGowan of McGowan for Maine