Category Recent Work

Case Study – Financial Services firm portraits

When a company decides to embark upon a rebranding initiative they often hire an agency, a designer or a photographer to help them.   There are a lot of ‘triggers’ for when a company decides to do take this critical step forward.  It often happens when the company is in transition, whether physical or something more existential—a move to a new location, a major renovation, a period of great growth.

Spinnaker Trust is a Portland-based company providing wealth and finance management services.  Recently they grew with the merger with another firm, and moved into a really knock-out new space downtown.  To showcase their dynamic new space and their growth, they needed environmental portraits of their team members within their amazing offices—lots of frosted glass, hardwood flooring and deep blue walls.

I spoke with the team about their needs, and decided to go with a more dramatic approach to lighting.  With lighting you can go one of two ways.  Light ‘big’, and just create a wall of light so that everything’s bright, well-lit and very commercial-looking (see any national-level  advertisement) or light ‘small’, or selectively, throwing light just where you need it to create dimensionality, mood, and highlight aspects of the environment. Spinnaker was perfect for the latter.

I used three to four lights for most of the portraits—with all of the glass around, the lighting was tightly controlled to avoid reflections.  We did multiple scenarios with each person in a relatively limited period of time—in my shoots, I tend to move fast:  15 minutes being a long time to spend on any one portrait.

I was happy with the results:  professional but dramatic, with the environment a key feature of each image.   A big shout-out to the team at iBec Creative, who designed this clean and beautiful website.

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New campaign for Poland Spring hits the road, literally.

One of the hardest things to do as a commercial and editorial photographer is to have to wait—sometimes months, sometimes longer—for your work to be used by a client before you can show some of the results of your work.

Ever since working with Maine-based Poland Spring this past summer, I’ve been patiently waiting until I could show the work, um….published, in a way.  Now that time has come, and you can see some of my images on a state route near you.

This is part of an advertising campaign called, “Poland Spring Works for Maine”.  It features portraits and scenarios that illustrate the various ways in which the Maine bottler supports its community and state.   It took a lot of planning, but the shoot was on a single busy day in late summer, in Poland Spring.   The idea was to photograph five scenarios, but we trimmed that to four by the day of the shoot.   Thanks to a great team effort, we were able to get some fabulous images in a variety of locations.  Definitely a case where being a photojournalist, with the ability to move and adjust quickly, paid off.

The images were destined for huge wraps that would be adhered to the back of Poland Spring water trucks.   Some bright person realized that there is a huge amount of real estate on the back of these tanker trucks that could be better used to promote what they do.   And speaking as someone who’s been stuck on Route 1 behind one of these guys in the midst of the summer tourist season,  having something visual and interesting to look at while you’re crawling in traffic is probably a good thing.     Brilliant.

These are a few shots the company sent me showing the fruit of our mutual labor.   The trucks are on the road now, so if you see Poland Spring in your rear-view mirror, maybe give the driver a break, let him pass you, and take a look for yourself.

 

 

 

 

Portland’s MadGirl

This final portrait of Portland artist and designer Meredith Alex, AKA “MadGirl” is the last for the year-long Inspire Portland project.  It’s been a really fun ride.  I’ve met dozens of incredible, inspiring people, only a few of whom made it into Inspire Portland.  Many more deserve to be.   I never intended this to be a definitive roundup of Portland’s best and brightest, but a glimpse of the deep pool of talent here.
It’s up to you to find your own inspiration.
Meredith was a great subject—she shimmied into the coolest dress made from strips of photo paper and walked barefoot out on a jetty in Portland’s harbor.  It was actually pretty chilly when we took the photo and quite late in the evening, but she was a true trooper.  Take a look at some of the outtakes and the behind-the-scenes photos from the shooot.  And thanks for reading!
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