Category Blog

Make them love you. Hint: it’s in the details.

 

Storytellilng detail images from an assignment about a local water district.
Storytelling detail images from an assignment about a local water district.

 

No photographer is an island. We own our creativity but everything else—our technology, our access, our assignments—are enabled by others.  Even our creativity is enhanced by our collaboration with the art producers, editors and designers with whom we work most closely.  These are the folks that take the work we create and publish it, display it, print it and turn it into amazing displays, stories and campaigns.

Without them, we’re just shooting cool photos and sharing them on Facebook.

I try to approach each assignment as if I were back at the newspaper. Even if the assignment was to make a single simple portrait, I went into each job thinking about what else I might photograph. Back then, I challenged myself to come back with a three-picture package that told the story and might give the page designers more options. I always looked for storytelling details to include, too.  That approach gave the designers the ability to use images as teasers on the front page, for example. Sometimes designers used none of it.  Months down the road, looking for a timeless detail image to illustrate a different story, they’d see my image and  find it a perfect fit. This storytelling approach challenged me creatively, led to better visual play and better designer/editor kharma that I’m hoping will benefit me in my next life. It’s something I still do today, reflexively.

The editorial assignment photographer needs to always look for telling details. Sometimes these visual metaphors are more compelling, more storytelling than the ‘main’ image itself. In commercial photography, these types of details are just as important. In an era when companies have greater ability to publish content on their sites, there’s an even greater need for storytelling details that can be used as evergreen content, on company blogs and in ad campaigns.

Details also come in handy for designers who need a key visual element, or require ‘filler’ content, etc. These details solve a lot of visual problems. Having a photographer who actively looks for them is a big win because it gives the designer options.

The thinking photographer who goes the extra mile for their editor or designer will be the go-to photographer for those people. Realize that the assignment isn’t just about the image being requested, just as your job is not solely about you.

 

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Friday Clicks: My favorite (light) modifiers

A brief disclaimer here:  light modifiers are about personal preference and taste and vary wildly from photographer to photographer.  Natch.  There are stylistic and situational reasons why a person would choose a circular-shaped modifier (like an octabox or a beauty dish) over a square-shaped light one (like a softbox).   What it boils down to is this: The size of your light modifier relative to your subject is the biggest determiner of the quality of your light (soft, harsh, dramatic, etc).  It has less to do with things like the reflective material used, shape or the brand name (or lack of one) that graces the modifier’s exterior.

With that caveat, here are five of the most oft-used light modifiers in my arsenal.  I shoot with speedlights and studio monolights–sometimes together–so these modifiers are a bit varied as a result.

1-Photek Softlighter II.  If it were socially acceptable and/or legal, I’d marry this lovely piece of gear.  As it is, it goes everywhere with me.  It produces glowing, wrap-around light, produces great catchlights and then folds down basically into an umbrella.  It’s inexpensive but looks the same as an octabox many times its cost.   I keep several on hand because they tend to be fragile.

2–Gary Fong Lightsphere.  This $10 peice of plastic has been kicking around in my bag forever and is much abused.  They get a bad rap from some photographers who think they’re cheesy, and candidly I never really liked walking around with this huge white thing sticking to my flash.  But I love it as an even light spreader when using speedlights to light up a room or doorway in the background, or even as a very close-in direct light mod for a portrait in, say, a sunset situation.  If you gaffer tape the outside, it can turn into a pretty effective snoot, especially if you put a grid over the front of it.

3–Honl Kit.   This kit is really a bunch of little pieces of gear I throw into a bag.  It includes a bunch of the velcro speed straps, a filter correction kit (which I use all. the. time.), a couple of grids, gobos and snoot.   This is perfect when doing portrait work and I put it into play when shooting interior spaces as well.

4--22″ beauty dish.  I love the light produced by beauty dishes and I have both a silver one (for outside daylight shots) and a white one (this one, by FTX lighting tools) for indoors.   The light is very directional with very even illumination, is extremely stable on breezy days outdoors and is tough.  If you put it in close, you get amazing softness with a little drama.  Move it out and you’ve got dramatic tasty light. .

5–Lastolite Triflector MKII reflector.  This is really a set of three reflectors in one, each with white and silver (or gold) sides.  They are triangular in shape and are great when you need to get a wrap-around reflection for a portrait.   With a stand they can be mounted anywhere and can produce reflections from multiple angles at once.   It’s kind of like having a tiny little photo assistant with you wherever you go whose only job is to hold reflectors and make your subjects look good.   I use this tool on too many assignments to count.

 

Showcase: Camden National Bank

It’s been my pleasure to be involved with Camden National Bank’s advertising campaign this year.  The first image was taken in the middle of the Bangor Mall (as a journalist they’d have never let me inside that place with a camera, but for this assignment I was packing lots of lights and it was smooth sailing).
CNB_MainelyEyes
The second was taken right in my Portland photo studio.  I’m sure the bankers weren’t accustomed to so much camera time, but they were good sports.   The Josh and Charlie at Kemp Goldberg did a fantastic job managing the whole process, too. 
CNB_FAME

 

 

 

 

 

Recent Work: CBRE | The Boulos Company

I’ve had the pleasure of working with the team of folks at The Boulos Company this past year on an ad campaign showcasing the partnership between their brokers and commercial clients.   The creative called for environmental portraits that showed off the commercial spaces, which are located throughout Southern Maine.    The ads ran in MaineBiz.   The entire process was fun…and I think the ads look great.

 

Boulos-Allagash Boulos-KempGoldberg Boulos-RunningScissors Boulos-Sanford

 

 

Native Sons

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Back in the early part of the 2000s, I was chief photographer of the Yakima (Wash.) Herald-Republic, a Seattle Times Company newspaper centrally located in the part of Washington State Seattlites refer to as “the Dry Side”, among other things.

Yakima derived its name from its nearest neighbor—the sprawling reservation of the Confederated Tribes and Bands of the Yakama Nation.    Comprised of 14 separate Columbia River tribes, the Yakamas now occupy a 2,185-square-mile sized territory that includes a portion of nearby Pahto (12,281-foot-tall Mt. Adams).

Growing up in Northern Arizona, I’ve always lived around and interacted with Native Americans.  My first reporting job out of college was to cover the Yavapai-Apache in Arizona’s Verde Valley.   When I moved to Yakima, years later, I was eager to explore the Yakamas.   A proud people, the Yakamas still live on a portion of the ancestral lands and practice their hunting, gathering and fishing traditions as best they can.   They fought the US Army in the 1800s until a federal treaty recognizing their rights was signed.  They fought many battles in federal court since, with precent-setting law the result.

For much of five years I met with interviewed and photographed many Yakama tribal members, and met many new friends along the way.  One of the results was a project with writer Phil Ferolito, published as a special newspaper section, called “Native Sons:  The Men of the Yakama Nation”.    As best we could, we attempted to show the unique struggles, challenges and triumphs of different generations of Yakama men and their families.    I’m proud of what we were able to do, but so much more could have been done to promote understanding and appreciation of Yakama, and native, culture and life realities.  See the pages of the published project below.

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5 keys to success for photographers (Hint: it’s not about gear)

When I was first transitioning from newspaper photographer to commercial photographer, I had a huge ‘Ah-hah!’ moment. I was speaking to Jimmy Smith, a family friend and commercial photographer with 30 years under his belt.  Jimmy told me, flat-out: “You wanna know why only something like four percent of photographers make it in this business? If what we did was about photography, that number would be higher.”

Profound words that I’ve never forgotten. This, coming from a talented photographer who is truly an artist, and who works with global corporate and publishing brands.

Jimmy was speaking to the intangible, unsexy parts of the photography business (or any business). Behind the scenes of any successful venture, you’ll find the folks practicing certain habits and principles which have nothing to do with the widgets they sell or the service they actually provide.

As a former photo editor and a photographer who makes his living making images, I’m approached by students and others aspiring to make a living with their passion. As an outsider it’s easy to see whether they are heading towards success or retreating from it. In my opinion, it all boils down to good habits in a few areas (this ain’t rocket science). Successful photographers:

Show Up — I’m amazed at how often people don’t show up—for mixers, workshops, for meetings and other opportunities available to them.  When they do show up, they aren’t prepared to put their best foot forward. I’ve gotten a lot of work because I simply was the guy who showed up, was present and presentable.

Follow Up — When anyone contacts me for a internship, a job, or feedback, I do what I can to help. I may have to put them off for a short while until I can give my full attention. I’ll put the ball in their court by asking them to email or call me in a week, or to send their thoughts about what they really want, etc. Simple stuff. I do this because time is limited, and also partly to test how committed they really are. Less than 20 percent actually follow back up with me. My current full-time assistant, Charlie Widdis, certainly wasn’t the only USM student I’ve offered to help. But he is the only one who responded, made an appointment, and then followed up later. That led to me hiring him as an assistant and eventually my full-time employee.

Follow Through — When I was coming up, I’d show my work to trusted photographers and if they gave me direct and pointed advice, you’d better believe I made appropriate changes. More recently, I worked with business coach Mandy Schumaker. She helped me work through a plan to make my business stronger. I wasn’t always prepared to do what she suggested at the time, but I noted everything and in the year or so since I’ve ticked off many of the items we agreed on. This speaks to the ability to follow through—on a project, on a difficult assignment or on a relationship that needs to be cultivated (they all do).

Show Gratitude — This is a big one. I’m everything in this career because of those who have gone before me or who have lent a helping hand when I most needed it. Brad Armstrong taught me how to do location lighting. Paul O’Neil taught me to be a better assignment photographer. Rick Wiley taught me to be a better photo editor. I’m grateful to them for the photographer I have become. I’m also thankful to the many people who agree to participate in project work that I do when they don’t have to. I’m grateful to my amazing, awesome clients who trust me and continue to do so. In fact, I should be thanking people more than I do. When I receive thank-yous—whether email or hand-written note—it feels great.

Know it’s Not About Them — We all struggle with this one. The work of photographers is personal, creative and requires a point of view. But if all you know is photography, you’re in a pretty small place. It’s lonely being a photo monk sacrificing all to the photo gods. When you’re talking to clients or others, quit talking about yourself, your gear and your job. Listen. Ask about them. It’s. Not. About. You.

I have to work at each of these areas just like everyone does. What’s clear to me is that when I follow my own advice, I do well. When I don’t, well…I don’t. As Mandy likes to say, “How you do anything is how you do everything.”

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On photographers and community

 

Jose Azel, left, of Aurora Photos, talks with photographer Kevin Brusie.   In background:  Peter Dennen of Pedro+Jackie Photo Consulting.
Jose Azel, left, of Aurora Photos, talks with photographer Kevin Brusie. In background: Peter Dennen of Pedro+Jackie Photo Consulting.

 

As a newspaper photojournalist, it was always about competition — against myself, against my colleagues, against photographers at competing news organizations. I loved getting a shot at a news scene that the other guys missed—the proof of my short-lived super-awesomeness in print for all to see the next day. Despite this, the world of editorial newspaper photography is a small and tight-knit group. We competed, but we also helped each other. I’ve been given rolls of film by photographers from competing newspapers, and have given batteries and digital cards to others. Off the clock, we’d often hang out and engaged in the time-honored photographer pastime of complaining.

The commercial world of photography inhabited by art photographers, editorial and commercial shooters isn’t quite the same. We don’t see each other at news scenes typically and are more like lone ships in the night—occasionally passing but not spending time in each others company. It’s a hazard of being a solo business person and in a competitive market environment. What we miss out is the community of photographers that support, help and encourage each other…and yes, compete.

Last evening we had an amazing gathering of local photo talent at the bimonthly ASMP Maine “Breakfast” Club at Brian Boru’s Pub. These breakfast meetings are casual affairs organized throughout New England by members of the American Society of Media Photographers meant to promote community among ASMP members and non-members alike. In Maine, we’ve settled on evening events rather than breakfast because it’s just easier when you’re asking people to drive from hours away to attend. Last night, Amy Wilton and her intern came from all the way from Hope, Maine (thanks, Amy). We had editorial shooters, corporate commercial folks, lifestyle photographers, and wedding photographers. Well-known locals showed as did some recent transplants, like David Butler who moved here from Arizona last year.

I’m excited about last night for a couple of reasons. The turnout was great. It’s clear that the photographers enjoyed meeting and talking with each other. Looking around the room, I realized that we do have a community—one that can and will come together. We also tried something different last night. instead of just gathering to have beer, Peter Dennen of Pedro+Jackie Photo Consultants gave professional portfolio reviews. We’re going to continue to offer programming at our future meetings as well. Our next “Breakfast” is Wednesday, July 9 at Aurora Photos in Portland. We’ll have appetizers, drinks (because, Beer!) and Aurora founder and National Geographic photographer Jose Azel will be presenting.

Thanks to all who were able to come out last night—and for those who couldn’t, I’ll keep you posted on future gatherings. And if you ever need batteries, let me know.

 

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Friday Clicks: What I’m reading right now

Note: These are my favorites, not necessarily yours. If you disagree (or even better, agree), let me know. Your mileage may vary.

Like many business owners, I don’t stray much into fiction unless I’m reading to my daughter at bedtime (anything with cute dogs in it is pretty much what she’s into). For me, it’s books, blogs and magazines that entertain while providing value. So, without further ado, here’s what I’m reading these days (these are just links.  I don’t get any kickbacks for these recommends):

Jab, Jab, Jab, Right Hook: Telling Your Story in a Noisy, Social World (Gary Vaynerchuk)

Vaynerchuk is entertaining and always real. He gives specific (and visual) examples of using various social media channels well, from Facebook to Pinterest. Think of it like a social media guide wrapped up with a bit of humor and a dash of brash.

The Slight Edge (Jeff Olson)

This book has changed the way I do things. Learn about the power of compounded efforts over time and develop the small daily habits that lead to success. I’m recommending this one to everyone I know.

Th3rd Force: Action, Reaction, Your Choice (Scott Paglia and Bill Donnelly)

Full Disclosure: Scott is my best friend and I spent much of my free time while teaching English in South Korea with Scott drinking Soju and eating dried squid. Paglia is an expert practitioner of Chinese medicine (herbs, pulse diagnosis and acupuncture). Donnelly is a certified personal trainer in New York City. The two have teamed up on the Th3rd Force blog to talk about health and wellness (though it’s much more than that). His visceral, stream of consciousness style chronicles his misadventures in Korea, Arizona and elsewhere (Yours Truly makes an appearance or two). In between Paglia and Donnelly share wisdom about living a better life. It’s entertaining….but it’s useful, too.

aphotoeditor.com  (Rob Haggart)

Haggart, former photo editor for Outside Magazine and Men’s Journal has a huge following and features a mix of Haggart’s views on the photo industry and roundups of posts from other photographer blogs. Especially interesting are the real-world photo estimates he posts from the Wonderful Machine folks, often for regional and national jobs…even though the bottom-line figures are not exactly what we see here in Reality, Maine. Still, one can dream.

Strictly Business Blog  (American Society of Media Photographers)

Posts from industry experts—photographers, photography consultants, buyers, etc.—focused on practical topics like branding, marketing and copyright registration. You don’t have to be a member of ASMP to get the tremendous value here.

Esquire Magazine

In my opinion, one of the best-written magazines for men—and yes, for women—out there. The thought and creativity put into the content and the organization of that content is immense. The long-form stories—last year’s “The Shooter” comes to mind—are well-crafted and compelling pieces of journalism. And, you can get a home copy for as low as ten bucks a year. Such a deal.

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Announcing: Pro Photogs, Beer, Reviews, ASMP

 

Maine ASMP Breakfast Club

 

Join Maine ASMP members as we mix it up during our bimonthly gathering.

This time around, we’re foregoing breakfast in favor of beer.  Peter Dennen,
of Pedro + Jackie Photo Consultants, will be on hand to give ten-minute speed-style portfolio reviews for six selected attendees (Thanks, Peter!).    Professional photographers, students and others are welcome to attend.   This is event is for ASMP and non-ASMP members.  Find out more here.

About the ASMP

The American Society of Media Photographers is the premier trade association for the world’s most respected photographers. ASMP is the leader in promoting photographers’ rights, providing education in better business practices, producing business publications for photographers, and helping to connect purchasers with professional photographers. ASMP, founded in 1944, has nearly 7,000 members and 39 chapters.

About Pedro + Jackie

P+J is the dynamic duo photo consulting team of Peter Dennen and Jackie Ney.  Their mission is to help build the careers of the photographers they engage with through sound advice, strategic initiatives and infusing our creative minds into the business of those they serve.  To learn more, check out http://www.pedroandjackie.com/

 

When

Wednesday, May 21, 2014
5:00pm-7:00pm

Where

Brian Boru Public House
57 Center Street
Portland, ME

Questions? 

Contact Brian Fitzgerald, breakfast coordinator



Storytelling for John T. Gorman Foundation

One of my favorite projects this past year was working with the John T. Gorman Foundation here in Portland.  This unassuming group directs their resources to many significant non-profits statewide, from early childhood education to homeless teens and more.  Especially at a time when the state has cut its funding back of such groups, private foundations like JTG have become even more important. 

My assignment was to document the people and faces of some of their supported programs, and to show the human impact of what they do.    Over the course of a month and a half, I created a series of images that tell the story of what JTG does by showing the lives of those impacted by their efforts. I was given wide discretion over what I photographed, and focused on populations served by the foundation, among them single mothers, early childhood education and teens.  Here’s a sampling of my favorites.

Enjoy!

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