Category On Location

Showcase: York County Community College

February 28, 2023 0 Comments read Blog, Client Work, Editorial, On Location, Showcase

YVCC — *York County Community College, © Brian Fitzgerald*

Over the past few years, I’ve worked with the Maine Community College System (MCCS) to highlight the workforce training programs at their seven campuses across Maine. These programs are designed and targeted to the needs of employers in Maine and are often a pipeline directly to well-paying professional jobs immediately upon graduation. Programs are diverse, ranging from nursing and culinary arts to project management and Amazon Web Services (AWS). The list is endless and always changing to adapt to the needs of the state’s employers.

We highlighted a few of the workforce development programs at York County Community College last year and tried to also capture some of the sense of community and connection between students and their faculty. It was a great opportunity to tell a story about a Maine institution that offers such incredible value to the community.

*York County Community College, © Brian Fitzgerald*

Photographing the person, not the title

January 17, 2023 0 Comments read Assignments, Blog, Mainers at Work, On Location

© Brian Fitzgerald

One of my favorite projects this past year has been covering the campaign of Maine Governor Janet Mills as she ran for re-election against challenger, former Gov. Paul LePage. Maine’s first female governor (elected in 2018), Mills faced the Covid pandemic and the resulting, ongoing economic and health impacts.

I was fortunate enough to accompany her on a visit to her hometown of Farmington, ME, to a child care center, a health clinic, and other locations around Maine. In the process I met her family and photographed Maine Senator Angus King, himself a former Maine governor.

Being on set with the governor for several days over several months, I was able to see Mills for extended periods of time—when the camera and lights were on but mostly when they weren’t—capturing the kinds of unguarded moments I tried hard to find as a photojournalist. It was great to catch a glimpse of the person and not just the politician. It was a good reminder of something I try to keep in mind no matter who I’m working with: photograph the person, not the title.

The results, I hope, tell a more complete story of Janet Mills, the person. It was certainly fun to see the reactions of Mainers and visitors alike when they met her in our travels.

© Brian Fitzgerald

Showcase: H.B.Fleming Inc.

March 8, 2022 0 Comments read Assignments, Blog, Case Studies, Client Work, Mainers at Work, On Location

Portland Maine

Sometimes, the best way to get a storytelling image is to get up high. I’ve worked with South Portland-based construction company H.B. Fleming for a few years, documenting some of their impressive projects throughout Maine and New Hampshire. The scope and scale of much of the work they do—building massive retaining walls and cofferdams, for example—are most apparent when viewed from above. In 2020 Fitzgerald Photo became a FAA-certified commercial drone operator. We’ve since been using drones for photography and video production for clients throughout New England. I’m happy to share some images from recent H.B. Fleming projects.

Construction Workers

Want better portraits? Work on your backgrounds.

March 1, 2022 0 Comments read Blog, Education, Marketing, On Location

Portland Boxing Club owner and head coach Bob Russo. © Brian Fitzgerald

To most photographers—those whose focus is on people and portraits, certainly, but also those who specialize in structures, food and products on location—the subject is the star of the show.

Location-based photographers know that the unsung hero of any successful portrait is the environment behind and around the subjects. Often, the environment offers clues and context that tells the story better than the subject themselves can.

In short, your backgrounds matter more than just as a place to put behind your subject.

Give thought to the environment around your subjects as deeply as you think about your subjects. Make sure that anything that shows in the frame is there for a reason.

Maine Gives Back, 2020 Edition

November 10, 2020 0 Comments read Assignments, Blog, Client Work, Editorial, Mainers at Work, On Assignment, On Location

Linda Holtslander, 77, Preble Street Resource Center volunteer. ©Brian Fitzgerald

Fundamentally, making a difference starts with doing something that has an impact on someone else. This may entail something huge and world-changing (think of something like Matt Damon’s Water.Org), but more typically it’s a small kindness, a comment, a small gesture extended from one person to another. Small acts of this sort occur all around us, and they usually remain unseen and unknown except by those directly involved.

That’s why I loved being part of Down East Magazine’s annual “Maine Gives Back” feature published this November. I got to meet and photograph three remarkable Mainers whose efforts are changing the lives of others: 77-year-old soup kitchen volunteer Linda Holtsinger, who despite the pandemic never misses a day of volunteering; Rose Barboza, a mother who decided to create the nonprofit website Black Owned Maine as her contribution to racial and social justice; and Elizabeth McLellan, whose Portland-based nonprofit Partners for World Health distributes donations of needed medical supplies around the world.

Truly one of those assignments that energizes me and makes me feel better about humanity in general. Below are some of my images used in the issue, but read about many others in the November 2020 Down East Magazine feature, “Maine Gives Back”.

Elizabeth McLellan in a warehouse filled with medical supplies destined for countries in need around the world. © Brian Fitzgerald

Rose Barboza, founder of Black Owned Maine. © Brian Fitzgerald

Behind the Scenes: Industrial Photography

October 27, 2020 0 Comments read Assignments, Behind the Scenes, Blog, On Location

Behind the Scenes is a quick snapshot of where I’ve been and what I’m doing on location. Enjoy!

Nothing like being outside photographing on one of the truly last nice days of fall. These tipping tables make these big rigs look like Tonka trucks. Photo by @nstrimble pic.twitter.com/HQmGnV2xt8
— Brian Fitzgerald (@brianfitzphoto) October 27, 2020

Environmental Portraits: Take it Outside

July 7, 2020 0 Comments read Blog, Client Work, Editorial, On Location, Portraits, Storytelling

© Brian Fitzgerald

This June, after several months of working remotely (almost entirely indoors), I’ve been fortunate to be able to get back to creating new images for my clients. Now that the days are growing warm it’s been the perfect time for my clients to take advantage of the short but beautiful summer season here in Maine by having their commercial portraits done outside.

There are two primary types of portraits I’ve been making. One is an editorial-style environmental portrait, where the setting is an important storytelling aspect of the final image. Context is an important part of this type of portrait, since the background ends up being a secondary subject in the image.

The other portrait type is more of a cinematic headshot portrait, where there is an environmental feel but the focus is entirely on the subject–it’s a great way to photograph a doctor, lawyer or financial professional far from their normal work environs and still make it seem professional and natural to do so.

© Brian Fitzgerald

I’m finding myself taking my studio on the road more and more often, photographing my clients outdoors and on location where conditions may be more changeable and unpredicatable but the results are often more striking. It brings me back to my roots as an Arizona photojournalist, hauling out my Norman 200B flash heads to compete with the sun to make a memorable portrait.

So consider outdoor portraits as an option that could work for your business or brand.

–30–

Certainty in Uncertain Times

March 16, 2020 0 Comments read Blog, Mainers at Work, On Location

During this time of uncertainty, it’s easy to get overwhelmed. Not long ago all of us were still making optimistic plans for get-togethers, projects and trips for the weeks and months to come.

The events of a few short days have changed and challenged our perceptions and plans.

Stuck at home, certain only of our uncertainties, bouncing off of loved ones and compulsively checking our news (and non-news) feeds for scraps of information, we instead learn second-hand from the gossip of others.

What’s clear is that we are all in the same boat. None of us asked for this and the control we have is limited to that which we exercise over ourselves. We have the choice to limit ourselves for the good of the whole. We also have the option to spend some of our now extra time doing things we’ve long neglected—at least, that’s my plan. I’m choosing to look at this upheaval as a gift of time: time to spend with my family; time to reset and plan; time to learn and reflect.

In a few weeks or months when things calm down and normalcy returns, as it surely will, I hope to look back and know that I spent my time the best way I could. Today, I plant a seed for that day.

On Giving More

March 2, 2020 0 Comments read Assignments, Blog, Client Work, conceptual, Editorial, On Location

A little initiative and a lot of hustle turned a project to photograph firefighters for a fund raiser into a project depicting firefighters as always on duty and (over) committed to their work, called “Everyday Heroes”.

I grew up Catholic, which might explain why I have a deep-seated belief that anything good in my life must be accompanied by a healthy amount of suffering.

That’s not the healthiest story to tell oneself, but I’ve come to replace it with another, more powerful story: if you want good value or results—a great shoot, great assignments, great clients—then you have to first give great value.

What does ‘value’ mean? It means that you should do your best to be remarkable in your work, your attitude, your professionalism. It means that you ask first how you can help before you ask for help. It means that you give more value than your client expects. It means that when you are on a shoot, you go that extra mile: look for an extra angle, take a creative risk and push yourself to take something different once you’ve satisfied your client’s needs. Sometimes you’ll end up with something that surprises you and delights your client.

If you consistently do this and have the attitude of giving more than you are getting, you’ll find—like I have—that you get an amazing amount of value in return.

It starts with you.

Cinematic, environmental portraits

April 2, 2019 0 Comments read Blog, Client Work, Education, On Location, Portraits, Shop Talk

I love creating environmental portraits. That’s good, because I make an awful lot of these as a commercial photographer.

One challenge when doing such location portraits is that the benefit—the environment, which can offer very cool, very visually striking contextual cues—can also be a severe liability. Imagine showing up to a shoot to find you are limited to shooting portraits inside a tiny conference room with orange walls, or in the middle of summer using an interior of a steel shipping container (both are recent examples).

So what do you do when the environment detracts from, instead of adds to, your portraits?

I opt to shoot portraits with very shallow depth of field, in order to throw my distracting backgrounds out of focus. Then I carefully add in lights to create depth and color as needed. Given the time of day or the situation, this may require using ND (neutral density) filters or high-speed sync to achieve this look, but it’s worth the extra effort.

The results are tack-sharp portraits that pop from the soft background, minimizing the things I don’t want while giving a sort of cinematic feel that I love.