Category Recent Work

Finding Beauty in Unexpected Places

Finding Beauty

As a photographer, I’m fascinated by juxtapositions and contrasts.  I dig the unexpected (as a newspaper photographer I lived for moments like these and these). I like finding beauty where it’s least expected.

That’s the idea behind this photo shoot involving Portland Ballet Company dancer Kelsey Harrison.  She’s the ‘beauty’ in this scenario.

The space?  That’s the ‘unexpected’ part:  a cavernous, dirty, dusty, rough space with unpainted walls, exposed subfloors and 15-foot ceilings. The kind of space that photographers dream of but also tend to be challenged by, too.  Plenty of space for Kelsey to move around in and do her moves. Plenty of space to position lighting on all sides of her, creating an envelope of light.  The goal was to use extremely fast flash duration—up to 1/13,500th of a second—to freeze Kelsey’s movements as she did her thing.

With enough portable batteries,  lighting was the easy part.  Too much and I’d kill the mood and drama of the place.   Too little, and there goes the ‘beauty’.  So I directed and shaped the light onto Kelsey and enough of the background to separate her from the environment.

Kelsey was a trouper.  If you’ve ever walked around all day on a hard surface with no padding and no ‘give’, you feel it the next day. Kelsey spent an hour leaping and jumping, all in the name of art, and didn’t complain once. She made it look easy….but ‘easy’ it isn’t.  A true pro and a joy to work with.

Finding beauty in unexpected places, indeed.


Finding Beauty


Finding Beauty


Finding Beauty

Inspired Mainers: Pat Gallant-Charette

Inspiring Mainer
Pat Gallant-Charette wears the names of two of her now-deceased brothers on her arm for every swim.

This week I published an Inspire Maine issue featuring Pat Gallant-Charette, a 65-year-old grandmother from Westbrook, ME. Some would say being a rockstar grandmother is inspiring enough—one that’s written her own children’s book, no less.

But that’s not the inspiring part. Gallant-Charette recently returned from the U.K., where she became the oldest person to successfully swim the North Channel. That’s the 21-mile stretch of freezing cold North Atlantic brine that separates Ireland from Scotland. At 65, Gallant-Charette was the oldest person to ever do the swim, by 13 years.

And that isn’t even the amazing part. This is one of five swims she’s completed as part of the “Oceans Seven”(No, that’s not a buddy movie).  It’s seven channels of water, from Japan to Hawaii to California…and the British Isles. To boot, Gallant-Charette finished the Strait of Gibraltar swim faster than any American woman since 1928.

To her grandkids, she’s just grandma who travels a lot. But trust me, she’s amazing and a nice person, too. I photographed her at Kettle Cove in September and we had a great time despite the windy, chilly day. I loved the images but even more, I loved getting to meet with Pat. So do yourself a favor and check out her full interview over at Inspire Maine. You’ll be glad you did.

Inspired Mainer
Pat Gallant-Charette, photographed at Kettle Cove in Maine. Being a Mainer helped her train for her marathon swimming success. “This is the best training ground outside of the North Channel and the English Channel,” she says.


Inspiring Maine
One of my favorite outtakes from the shoot, which I think looks best in black and white. I can imagine Pat swimming alone in the dark and the cold, but fueled by her bright, optimistic nature.


Inspiring Maine
The wind—constant on the Maine Coast—was buffeting us on the water, which meant we had to keep lighting simple. Fortunately, simple often means “dramatic”.

Arrested: Stories Behind the Badge

Arrested: Stories Behind the Badge
Maine Game Warden Pete Herring, photographed on the shore of Lake Arrowhead near Waterboro, ME.

For the first time, I’m publishing a few images from a project on Maine’s Peace Officers that I’ve been working on for over a year with the working title, Arrested:  Stories Behind the Badge.

Arrested’ is a series of portraits of law enforcement officers from across the state of Maine, photographed at the actual locations where they experienced a life-altering incident on the job.

The diversity of situations the officers I’ve interviewed have been incredible: some have been shot; others have had to use their weapons. Some have been injured, some have saved lives. All have had to react in situations that required skill, judgement and humanity.

Nationally, the idea that cops are dangerous and out of control, and are to be feared–this is an additional burden on officers in Maine, many of whom police the same communities they and their families live in. When a difficult incident occurs, they are reminded of it every time they pass the spot where it occurred.

Arrested: Stories Behind the Badge
Photographing at the scene of a house fire rescue, Old Orchard Beach, ME.

This project is an attempt to convey the reality of the difficult work officers do every day. I’m thankful to the officers who have participated. I’d like to say that it’s been a good experience for them to share their stories, but I also know it’s not been easy for people who tend to avoid the spotlight.

It’s been an incredible experience for me as well and I hope to share the complete project, as well as the many stories, soon.

Arrested: Stories Behind the Badge
York County Sheriff’s Deputy, Sgt. Steven Thistlewood.

Showcase: Portland Pirates Ad Campaign

A few months ago I had the fun duty of shooting a series of images for an ad campaign for the Portland Pirates hockey club.  The campaign, “A Pirate’s Life for Me”, features former Pirates players and current junior Pirates in split-view, in street clothes and in their hockey gear, game faces on.   I worked with the crew at Pulp & Wire to create the images, which I photographed in my downtown Portland photo studio.   I love how completely the demeanor and look of each player changed so dramatically once the pads and helmets went on.  I asked Pirates CEO and former player Brad Church, bottom, to show his game face during the session and he clearly had no problems doing that.  I’m just glad I wasn’t a player on the opposing team.


















Showcase: Baker, Newman & Noyes

I’ve worked with the fine folks at BNN, a full-service accounting firm based in Portland, ME, for a few years now.  In honor of their 20th anniversary, they just relaunched their refreshed website look this week with a new logo and a few of the environmental portraits we’ve done featuring their principals within their beautiful downtown Portland office space.    They wanted to emphasize the personal, human component of their services, and I think the new web design and images work well to do that.





Recent Work: ecomaine

This is the second time I’ve showcased some of my work for ecomaine, a non-profit waste management company.   That’s due in part to the fact that the work they do is so interesting and their industrial environment lends itself to amazing images.   This time around, I spent a day following around the people who work at ecomaine’s landfill, waste-to-energy plant and recycling facility.   The job can be difficult and the environment is ever-changing, which makes it a photographic challenge.   I opted for a very portable lighting kit that I could set up and take down at a moment’s notice.  Even though the lighting looks complex, I kept it fairly simple, choosing to incorporate ambient light into the scene whenever possible.   Here are some of my favorites that I think really capture both the environment and the diverse people that work there.



Inside the machine shop.


Operating the Recycling Facility compactor.


Inside the “tipping hall”, where garbage is unloaded into a seven-story bunker.


The ultimate result of all that garbage is tons of ash.


A view of the landfill through the window of a vehicle.


Recycling Facility supervisor.


I can’t say enough positive words about the ecomaine crew.   It’s not fun to have a camera in your face, and likely it’s even more uncomfortable when you’re operating heavy and fast-moving equipment.   They were fantastic to deal with and I think the images make them look like the rock stars they are.



Showcase: Camden National Bank

It’s been my pleasure to be involved with Camden National Bank’s advertising campaign this year.  The first image was taken in the middle of the Bangor Mall (as a journalist they’d have never let me inside that place with a camera, but for this assignment I was packing lots of lights and it was smooth sailing).
The second was taken right in my Portland photo studio.  I’m sure the bankers weren’t accustomed to so much camera time, but they were good sports.   The Josh and Charlie at Kemp Goldberg did a fantastic job managing the whole process, too. 






Recent Work: CBRE | The Boulos Company

I’ve had the pleasure of working with the team of folks at The Boulos Company this past year on an ad campaign showcasing the partnership between their brokers and commercial clients.   The creative called for environmental portraits that showed off the commercial spaces, which are located throughout Southern Maine.    The ads ran in MaineBiz.   The entire process was fun…and I think the ads look great.


Boulos-Allagash Boulos-KempGoldberg Boulos-RunningScissors Boulos-Sanford



Friday Favorites: Extreme Puppy edition


This Friday I’d like to share just a few outtake images from recent projects that were conceptual in nature.   I’ve always enjoyed doing this kind of concept work—it’s extremely creative and if successful, gives the viewer something extra that causes them to linger a bit.     What you end up with is more created than found.    Here are a couple of images that I really liked but that ended up as outtakes.  Enjoy….and happy Friday!


The concept was to photograph pets in an incongruous setting--in this case, a professional office environment--which could easily illustrate the perils of Take Your Pet to Work Day.
The concept was to photograph pets in an incongruous setting–in this case, a professional office environment–which could easily illustrate the perils of Take Your Pet to Work Day.



The concept was to photograph pets in an incongruous setting--in this case, a professional office environment--which could easily illustrate the perils of Take Your Pet to Work Day.
The concept was to photograph pets in an incongruous setting–in this case, a professional office environment–which could easily illustrate the perils of Take Your Pet to Work Day.



Everyday Heroes


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I’m very excited to finally be able to share one of the coolest projects I am grateful to have worked on this year. It’s a project that combined both my interests and my skills and best of all….it benefits a great and worthy cause.

The Cause
The Fight for Air Climb is a fundraising effort that benefits the American Lung Association.    Firefighters and others from around the country participate in these ‘climbs’, in which entrants are timed on their ascent of a skyscraper or other high structure.   The Firefighter Challenge pits teams of firefighters against one another, each vying for the best time, the most money raised (and bragging rights).   Unlike other competitors, firefighters are required to wear their full gear—turnouts, helmets, gloves, boots and oxygen tanks.   In the process, these teams raise big money for ALA research and advocacy.


The Project
In 2013, a 12-member team from Auburn, Maine climbed 41 floors (82 flights) during the Boston Fight For Air Climb (each wearing more than 50 pounds of additional weight)  and crushed the other 40 firefighter teams from around New England.   On the heels of their success, this year the team set the goal of raising $10,000 for the charity.  They decided to do a charity calendar, and earlier this year approached me and asked for my help (Hint: I said yes).


The Concept
I first met with Team Captain Dan Masselli to discuss several concepts for the project.   I think he was a bit nervous, thinking that I might propose doing a “beefcake” style shoot with half-naked and oiled firefighters.   I’d done some research and found plenty of examples of such calendars done by other departments, that varied from high-production fashion shoots to glorified ‘selfies’ printed on what looked like a mimeograph machine.   What I didn’t see was much in the way of a unified conceptual approach that told a story of the team and showed the kind of personality that I knew would resonate better with the community.
Dan and the team loved my initial ideas, which led to the “Everyday Heroes” concept.    While firefighters are often portrayed as heroes, 90 (maybe even 95) per cent of the time they aren’t actually doing impossibly heroic things like pulling people from mangled cars, manning hoses at  high-rise apartment blazes or giving oxygen to a kitten.   Most of the time, their heroics are of a decidedly mundane nature: changing a baby’s diaper, putting out a smoking BBQ grill or mowing a senior’s lawn.  We’d show that stuff….just in full turn-out gear, of course.


The Challenge
As a photographer there were some obvious–and not so obvious–challenges to overcome. One was how to create 12 different conceptual images on location—each requiring lighting and planning, props and ‘models’—and to make it all happen within their tight deadlines.  The other was how to make the scenarios both realistic and over-the-top at the same time, all the while contending with logistical challenges like the weather.
We eventually photographed everything over the course of three jam-packed days in October.   Each shoot was planned down to the detail,  but with plenty of flexibility in the case of last-minute changes to plan.   It was a good thing we did.
The final image we made—of the entire team, standing in front of their firetrucks—is dramatic and one of my favorites from the whole shoot.  It also almost didn’t happen.   We originally planned to photograph the team just after sunset in front of the city’s ”burn building’—a concrete structure behind the Central Fire Station that the firefighters fill with smoke and use for training. When the time came, the burn building wasn’t available. So we ended up at at a different station entirely.   One of the trucks we needed was missing, and when the firefighters went to retrieve it, they were diverted to take an emergency call.    With daylight burning, we were out a second truck and half our firefighters.  Nervously we waited, prepping our gear and going over various other scenarios for how to salvage the shoot.  Three minutes after the sun disappeared, the truck rolled back in, we positioned it, set up our smoke and lights, arranged the group and shot 69 images, including the tests. The one that we used was taken at 6:18 pm.


The Result
As fun (and sometimes nerve-wracking) as the shooting days were, I am very happy with the final results.  I’m most gratified that they capture the personality of the Auburn team, and that they show them as what they are—a bunch of hard-working, good-natured guys who do a lot besides save lives and property.    The calendars are printed and are available for sale—primarily at locations around Auburn, but I’m told that if you email Dan Masselli he can help you to trade $15 for your very own copy, delivered to your home.     It’s a great cause, and certainly worth the price of three coffees.


The Video
Charlie Widdis, assistant extraordinairre, put together a short behind-the-scenes video of the project as well—it’s especially impressive knowing that he did that in between helping me set up and shoot my stills.  I hope you like it!